Matthew Johnson
circles of light

b. 1963, London Lives & works in Melbourne, Australia
After Sun Cloud, 2023 — a luminous grid of softly blurred circles of colour rising from deep indigo through blues, reds and orange into pale gold light
After Sun Cloud, 2023 Oil on linen, 152 × 142 cm
About the artist
Portrait of Matthew Johnson in front of one of his multicoloured dot paintings
Matthew Johnson in the studio

Painting as an illusory field for the viewer to penetrate.

Matthew Johnson's artistic apprenticeship has been an eclectic if not a modernist one. A Melbourne-based painter, his diverse travel and cultural experiences are distilled through the archetypal filter of oil and pigment. The underlying compositional structures of his paintings are repetitive — grids, geometric patterns, stripes or sequential arrangements drawn from nature.

He is best known for oil paintings of delicately blended circles — like the pixels of a magnified picture blurred into pattern — fields of subdued colour that billow up into a sensory atmosphere of light and dark. His work emulates an abstract environment built on variables in nature and the man-made: a static viewpoint constantly veiled by visible and invisible forces. There is no single state of condition.

A graduate of the National Art School, East Sydney (1984), Johnson has exhibited consistently since the late 1980s in Australia and internationally — Paris, Hong Kong, New York, Toronto and Hanoi among them — and has completed numerous residencies throughout Europe and Australia, including the Cité Internationale des Arts, Paris, and the Australia Council Barcelona studio. Alongside the paintings, he continually develops site-specific architectural installations and major public art commissions across Australia.

Selected works
Inflection II — rhythmic interlocking multicoloured marks on paper, framed in white
Inflection IIWork on paper, framed
Fugue — rippling green, blue, ochre and pink forms on paper, framed in white
FugueWork on paper, framed
Untitled — a scatter of small violet, gold and green dots across white paper, framed
UntitledWork on paper, framed
Inflection VII — a dense field of blurred circles in pinks, reds, violets and cream
Inflection VIIFramed
Inflection VI — a grid of softly blurred circles in pale blues, aqua and warm pastel light
Inflection VIFramed
Inflection VIII — deep greens, blues and flashes of red in a darkened circle grid
Inflection VIIIFramed

A full catalogue of available paintings, works on paper and limited-edition prints is available on request — enquire below.

Curriculum vitae

Selected solo exhibitions

  • 2024Site Unseen Part I: selected mixed media works 1993–2012, FireWorks Gallery, Brisbane
  • 2020Sanctum, Olsen Annexe, Sydney
  • 2019Nirdakiy (Middle Creek), FireWorks Gallery, Brisbane
  • 2018Effusio, Olsen Gallery, Sydney
  • 2017Illume, NKN Gallery, Melbourne
  • 2016Candescere, Olsen Irwin, Sydney
  • 2015Spectral Light, NKN Gallery, Melbourne
  • 2013The Memory Well, Block Projects, Melbourne
  • 2012Coalescence, Tim Olsen Gallery, Sydney
  • 2010Resonance, FireWorks Gallery, Brisbane
  • 2002Cité Internationale des Arts residency, Paris
  • 1998Mappings, James Allen Gallery, Toronto

Selected commissions

  • 2013Light and Form, programmed LED system, MLC Centre, Sydney, with GPT Group
  • 2011South Morang Rail Extension public artworks, Victoria, with Cox Architects
  • 2010Coolaroo Station public artwork, Department of Transport, Victoria
  • 2008TAC Building, Geelong, with McGauran Giannini Soon Architects
  • 2004Emanation Still Life, cover design for Stephanie Alexander's The Cook's Companion, Penguin
  • 2001Seasons, four panels, Chadstone, Melbourne
  • 1997Babylonian Frieze, MG Garage, Sydney, with Alex Tzannes Architects

Awards & residencies

  • 2008Australia Council Barcelona Residency, Spain
  • 2002Cité des Arts International Residency, Paris
  • 2001Artist in Residence, Bundanon, NSW
  • 1993Fisher's Ghost Art Prize, Campbelltown
  • 1988Faber-Castell Prize for Drawing

Selected collections

  • Artbank, Sydney
  • Heide Museum of Modern Art, Melbourne
  • Monash University Museum of Art
  • La Trobe University Museum of Art
  • QUT Art Museum, Brisbane
  • Mona / Moorilla collection, Tasmania
  • Holmes à Court Collection, Perth
  • Victor & Loti Smorgon Collection, Melbourne
  • BHP Collection, Melbourne
  • Macquarie Bank
  • News Corporation
  • Campbelltown City Art Gallery, NSW
  • Private collections in Australia, Cologne, Munich, New York, Madrid, Seoul and Vancouver

Education: National Art School, East Sydney — Higher Art Certificate, 1984.  ·  Download the full CV (PDF)

Common questions
Who is Matthew Johnson, the artist?

Matthew Johnson (b. 1963, London) is an Australian abstract painter based in Melbourne, best known for oil paintings of delicately blended circles of colour — luminous, pixel-like fields of light. He graduated from the National Art School, East Sydney, in 1984 and has exhibited since the late 1980s with galleries including Olsen Gallery (Sydney), FireWorks Gallery (Brisbane) and Christine Abrahams Gallery (Melbourne). He is not the British YBA painter Matthew Johnson, nor the American illustrator of the same name.

Is Matthew Johnson related to the painter Michael Johnson?

Yes. Matthew is the son of Michael Johnson (b. 1938), the senior Australian abstract colourist and 2014 Wynne Prize winner. His sister is the artist and writer Anna Johnson, and his wife is the artist Helga Groves. The family connection is documented, though Matthew's practice stands independently with its own four-decade exhibition history.

Where can I see or buy Matthew Johnson's work?

Original paintings, works on paper and limited-edition prints appear with Olsen Gallery in Sydney, FireWorks Gallery in Brisbane, Short St Gallery in Broome and selected dealers, and his work is regularly offered at auction through houses including Leonard Joel, Lawsons, Shapiro, Bonhams and Deutscher and Hackett. For current availability, contact the studio directly via the enquiry address below.

Which public collections hold his work?

Collections include Artbank, Heide Museum of Modern Art, Monash University Museum of Art, La Trobe University Museum of Art, QUT Art Museum, the Moorilla (Mona) collection, Campbelltown City Art Gallery and the Holmes à Court Collection, alongside corporate collections such as Macquarie Bank, BHP and News Corporation, and private collections internationally.

Does Matthew Johnson take commissions?

Yes. Alongside studio painting he has a long record of site-specific architectural and public art commissions — including the South Morang and Coolaroo Station artworks for the Victorian Department of Transport, the TAC Building in Geelong, and the Babylonian Frieze at MG Garage, Sydney. Architectural and private commissions can be discussed via the enquiry address below.

Enquiries

Acquisitions, commissions
& studio visits

For available works, exhibition loans, architectural and public art commissions, or press enquiries, please get in touch. Matthew Johnson is represented by galleries in Sydney, Melbourne and Brisbane.

Email the studio